#SHOWBIZ: DC's 'Clayface' is a pure body horror nightmare

When was the last time a comic book movie made you squirm in your cinema seat, clutching your popcorn with a mix of fascination and horror?
Enter 'Clayface', director James Watkins' delightfully nasty, rated-18 detour into the dark underbelly of comic lore.
Stripping away the shiny gloss of typical superhero blockbusters, this film does not care about setting up the next phase of a cinematic universe.
Instead, it only cares about taking a deeply human tragedy and smothering it in bucketloads of bubbling, mutated body horror.
At the centre of this melting pot of madness is Tom Rhys Harries, who gives a fearlessly raw performance as Matt Hagen.
Once a rising Hollywood star whose handsome face was his entire livelihood, Hagen's life is shattered after a brutal run-in with a mob boss played with icy malice by Eddie Marsan.
Enter Dr Caitlin Corr (a brilliant Naomi Ackie), who offers an experimental, living clay-like compound to restore his features.
What starts as a miraculous fix rapidly turns into a stomach-churning identity crisis as Hagen realises he can shape-shift — at the cost of losing his own human form.
Watkins crafts Gotham City not as a gothic fantasy, but as a grimy, suffocating pressure cooker where Hagen's vanity becomes his ultimate undoing.
While the script stumbles slightly in its opening act with some rushed editing and a few tonal shifts during the chaotic third-act climax, the sheer commitment to practical special effects keeps you hooked.
Harries' performance elevates the material from a simple monster mash into a tragic character study reminiscent of David Cronenberg's 'The Fly'.
Complemented by a haunting, industrial score by Volker Bertelmann, 'Clayface' stands as one of the most unapologetically risky entries in DC's catalogue.
It is a film that dares to turn a comic book origin story into a visceral nightmare — and for fans of dark creature features, that is a monstrous win.
NOW SHOWING
CLAYFACE
Directed by: James Watkins
Starring: Tom Rhys Harries, Naomi Ackie, David Dencik, Max Minghella, Eddie Marsan
KioskNews shows a cleaned-up reading view extracted from the publisher’s page — the original always lives on their site, not ours.